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Electronic Press Kit: Ennui 

Bio (long)

It’s no secret that the Long Island hardcore scene is experiencing a renaissance which could be considered LI’s “revolution summer;” bands like Private Mind, Koyo, Stand Still, Rule Them All and Somerset Thrower are moving the spotlight away from the straightforward hardcore which had dominated the scene for the past decade into more melodic territory of an emo/post-hardcore nature–drawing influence from an abundance of influential LI bands of some 20 years ago (Silent Majority, The Movielife, Taking Back Sunday, Glassjaw, etc.). A parallel nostalgia-driven phenomenon has been occurring in the scene at large, with bands like Wristmeetrazor, Seeyouspacecowboy and For Your Health channeling 2000s post-hardcore and screamo into fusion genres that sound modern and fresh yet evoke distinct memories of pyramid-studded belts and Hot Topic CD racks. 

 

Ennui brings something slightly different to the table while still fitting neatly into both these “screamo revival” and LI “revolution summer” metanarratives:

Consisting of current and former members of Private Mind, Warehouse, Annulment, Detriment and Regulate; Ennui was conceptualized by Mike Varley (guitar) and John Anthony Czerwinski (vocals) in 2019 during the dissolution of their band Annulment. After recruiting Jason Jenkins (bass), Chris Lundquist (drums) and Dan Alivio (guitar) Ennui began writing, recording and performing locally. In May 2022 they released a demo tape on Day Zero Collective titled “Two Songs,” a split 7-inch with Apostles of Eris followed shortly thereafter. Ennui continues to perform as well as write and record music for future release.

 

Ennui has strived to embody the DIY spirit and aesthetic of 90s and early 00s screamo–drawing influence from Yaphet Kotto, Joshua Fit for Battle, Saetia and others. The music and lyrics are powerful and cathartic, the recordings are raw and unpolished–imperfections are embraced. The live sets are short bursts of intense energy; there is an essence of volatility in their music which keeps the listener on the edge of their seat. 

 

Call it a revival if you want, but this approach isn’t particularly novel and this brand of emotional hardcore had never disappeared–it flourished in the underground, all while the terms “screamo” and “emo” were being loosely applied to anything and everything the music industry churned out. At times it seemed to be the last bastion of punk rock; subversive in its DIY ethos, seemingly unambitious, uncorrupted and, frankly, unpalatable to most. Over the past decade, the smoke has cleared and bands like Touche Amore, Pianos Become the Teeth and La Dispute emerged from the ashes–signaling a renewed interest in a genre that was thought to be dead or having “lost out” to the commercialized, bastardized sounds that had dominated the previous epoch of airwaves. Perhaps it had, but that never truly mattered to those making the music. 

 

Ennui occupies a unique space in the Long Island scene; the screamo genre has episodically made its appearance on the island–most notably with On The Might of Princes, more recently with bands like Peoples Temple Project–but LI has lacked its own screamo scene and has lived in the shadow of NYC, the greater tri-state area and the hardcore punk scene at large. Ennui serves to populate this void and act as the catalyst for any like-minded bands that may emerge and contribute to a future Long Island skramz micro-climate within the already thriving hardcore and emo scenes.

Bio (short)

Ennui strives to embody the DIY spirit and aesthetic of 90s and early 00s screamo–drawing influence from Yaphet Kotto, Joshua Fit for Battle, Saetia and others. The music and lyrics are powerful and cathartic, the recordings are raw and unpolished–imperfections are embraced. The live sets are short bursts of intense energy; there is an essence of volatility in their music which keeps the listener on the edge of their seat.

Consisting of current and former members of Private Mind, Warehouse, Annulment, Detriment and Regulate; Ennui was conceptualized by Mike Varley (guitar) and John Anthony Czerwinski (vocals) in 2019 during the dissolution of their band Annulment. After recruiting Jason Jenkins (bass), Chris Lundquist (drums) and Dan Alivio (guitar) Ennui began writing, recording and performing locally. In May 2022 they released a demo tape on Day Zero Collective titled “Two Songs,” a split 7-inch with Apostles of Eris followed shortly thereafter. Ennui continues to perform as well as write and record music for future release.

Press

September 16, 2022 - Idioteq

Link: "New screamo split alert: ENNUI and APOSTLES OF ERIS discuss new co-release – listen!"

“Outside of Ennui, I’ve usually resigned myself to writing about topics and issues external to me–largely so that I could avoid having to acknowledge the more queasy, nauseous, ugly parts of myself. My friends in this band and inner circle have made me feel encouraged and comfortable enough to begin to challenge myself and communicate how I feel in my relationship and connection to my direct lived experiences. I did not want to go into a skramz band having retread familiar waters, and I wanted to punch harder than I ever have with this project.”

August 11, 2022 - Sound in the Signals

Link: "Ennui - Sound In The Signals Interview"

"The new kids are vicious, brave, intelligent, and most importantly – their capacity for compassion is massive when push comes to shove. They surprise me every day, I’m with it."

"Our only mission statement is to create music that is emotional, raw and volatile. Along the way I try to mimic the aesthetic and DIY ethic of 90s screamo and emocore bands."

 

July 18, 2022 - No Echo
Link: "Ennui: Long Island Band Embraces ‘00s Screamo & Post-Hardcore on Debut Release"

"With their members also currently playing in Private Mind, Terror Eyes, and Warehouse, Ennui's sound owes a debt to a very specific era. Guitarist Mike Varley explains: "I was inspired to do something a little different and break out of my comfort zone in songwriting/playing; I wanted to start the kind of band that I would've wanted to be in when I was 16."

"We’re trying to widen the conversation so that we can effectively communicate better as a whole and find solutions toward a better space to grow within our chosen communities."

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